junon christian dior dress | miss Dior dress 1949 junon christian dior dress An original fashion illustration of Christian Dior's 1949 -1950, Junon Dress by Laura Laine. Commissioned by Nick Knight for SHOWstudio's 'Fashion Flora' exhibition. A pivotal moment of flowers featuring in fashion, the collection . Energy Research Institute @ NTU (ERI@N) Email:
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By 1949, Christian Dior's instinct for calibrated innovations of the body's "line" had established him as fashion's preeminent arbiter. That year, dresses called "Venus" and "Junon," or Hera to the .
The Junon dress, Christian Dior’s ultimate masterpiece, was designed to be worn at grand galas. Its blue-green petals embroidered by the house of Rébé were reminiscent of the plumage of the peacock, the animal attribute of the “queen .By 1949, Christian Dior’s instinct for calibrated innovations of the body’s "line" had established him as fashion’s preeminent arbiter. That year, "Venus" and "Junon" (or "Hera" to the Greeks) dresses were among the most coveted of his designs. Dior’s Venus was realized in the delicate 18th-century gray that was his signature, frosted .By 1949, Christian Dior's instinct for calibrated innovations of the body's "line" had established him as fashion's preeminent arbiter. That year, dresses called "Venus" and "Junon," or Hera to the Greeks, were among the most coveted of his designs. Dior's Venus was realized in the delicate eighteenth-century gray that was his signature, frosted with iridescent beading and embroidery.An original fashion illustration of Christian Dior's 1949 -1950, Junon Dress by Laura Laine. Commissioned by Nick Knight for SHOWstudio's 'Fashion Flora' exhibition. A pivotal moment of flowers featuring in fashion, the collection .
Dior reveled in the idea of romanticism, particularly in his extravagant evening gowns, which communicated the designer’s innate genius for emphasizing the female form. Every six months, Dior would release a new silhouette, and in 1949, Dior unleashed one of his most-coveted designs onto the public: the “Junon” dress.
The Junon gown (left) Christian Dior designed in 1950, which was featured in the Metropolitan Museum of Art’s “Manus x Machina” exhibit and inspired Look 56. . According to Dior, the dress . Among the greatest strengths of the Fine Arts Museums of San Francisco’s fashion collection are its exemplary holdings of designs by the preeminent French couturier Christian Dior. From the debut of his first collection in 1947 until his untimely death a decade later, Dior produced garments that were antidotes to the a
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Chef-d’œuvre absolu de Christian Dior, la robe Junon fut pensée pour être portée lors de grands galas. Ses pétales bleu-vert brodés par la maison Rébé évoquent le plumage du paon, animal attribut de cette « reine des dieux », protectrice du mariage et de la . 6523 Likes, TikTok video from Romy (@romy_talks_fashion): “Step into a world of enchantment with Natalie Portman's stunning Christian Dior Junon dress at Cannes Film Festival. . Christian Dior initially crafted the dress for his fall 1949 collection, naming it "Junon" in reference to the Roman goddess, Juno (along with a sister dress he called "Venus"). The actor’s ivory strapless gown – meticulously adorned with ornate beading and featuring a layered skirt reminiscent of a fan of eyeless peacock feathers – is inspired by the Junon dress that Christian Dior himself created for his 1949-1950 autumn/winter collection (named after the Ancient Roman goddess, who was wife to Jupiter and patron goddess of Rome).
Christian Dior’s Eugénie ball gown drew on a nineteenth-century empress for inspiration and injected lighthearted, . a cocktail dress from the same F/W 1948 collection by Dior. Many of the dresses in Zig Zag featured shirring or ruffling as details . Christian Dior (French, 1905-1957). Junon, Fall/Winter 1949-50. Silk, plastic. New York ."Christian Dior," December 12, 1996–March 23, 1997. New York. The Metropolitan Museum of Art. "Goddess: The Classical Mode," May 1, 2003–August 3, 2003. . collection of more than 33,000 costumes and accessories represents five continents and seven centuries of fashionable dress and accessories for men, women, and children. The Met Fifth .
En 1949, Christian Dior presentó una colección en la que el vestido de pavo real de Junon se convirtió en una auténtica sensación. «Juno» inspiró tanto a los diseñadores que fue citado en sus productos por Zuhair Murad, Kim Jones, John Galliano y . The technique is a direct reference to two of Christian Dior’s most famous designs, the Junon and Venus dresses, which he created as part of his autumn/winter 1949/50 collection. Photo by Biel .
By 1949, Christian Dior's instinct for calibrated innovations of the body's "line" had established him as fashion's preeminent arbiter. That year, dresses called "Venus" and "Junon," or Hera to the Greeks, were among the most coveted of his designs.The Junon dress, Christian Dior’s ultimate masterpiece, was designed to be worn at grand galas. Its blue-green petals embroidered by the house of Rébé were reminiscent of the plumage of the peacock, the animal attribute of the “queen of the gods”, protector of marriage and fertility in Roman mythology.
By 1949, Christian Dior's instinct for calibrated innovations of the body's "line" had established him as fashion's preeminent arbiter. That year, dresses called "Venus" and "Junon," or.Most recently, the Junon dress has seen a reworking from the house of Dior itself. In the spectacular 2010 spring couture collection, designed by the always fabulous John Galliano, the Junon dress returns. The owner of the dress in the Metropolitan Museum of Art's Junon dress (more than 1 may have been made) was the wife of the vice president of the Chrysler Compamy.
While the strapless bodice of the gown exudes elegance, it is the skirt that truly encapsulates the essence of the peacock's plumage. As we have discussed in part one, Christian Dior was. The actress’ dress was a direct reference to Dior’s famous Junon dress, originally created for the house’s autumn/winter 1949/50 collection. Like the recreation, the original was a. The Junon gown (left) Christian Dior designed in 1950, which was featured in the Metropolitan Museum of Art’s “Manus x Machina” exhibit and inspired Look 56. The Junon dress, designed by Christian Dior in 1949 as part of his Milieu du Siècle collection, inspired Victoire de Castellane when designing a line of rings. Their gold and diamond motifs twinkle and shimmer just like the original petals of sequin-sprinkled tulle.
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